Role of Nature in the Poetry of Keats and Wordsworth Essay -- Poetry An

Nature played an important role in all works of the Romantics but I believe it is John Keats and William Wordsworth who understood not nature in themselves but themselves in nature. As Wordsworth once said: "the feeling therein developed gives importance to the action and situation and not the action and situation to the feeling." 1 Both Keats and Wordsworth understood that the most complex feelings and emotions can be described and understood when related with a simple act of nature. With a simple gust of wind we are given a glimpse into an author's soul as it is used to convey thoughts, feelings and moods of an author. In Keats' "The Eve of St. Agnes" the wind is used not only to set the scene of a stormy night but also I think as a way to describe Porphyro's ecstatic heart. "Flutter'd in the besieging wind's uproar; / And the long carpets rose along the gusty floor."2 You can imagine as they are running through the halls and out the door how his heart must be leaping with both joy and fear. As the wind tugs at the tapestries on the walls and lifts the carpet from the floor his heart may feel tugs of guilt for whisking her away and also freedom and joy. In Keats' poem, "To Autumn" the wind is personified with these words, "...as the light wind lives or dies..."3 As the wind picks up and comes to life with motion and character it can also slow and cease as will life. I believe Keats relates his feelings of life and death to the seasons of nature in this poem. To me this poem seems to end abruptly, perhaps because I know the winter season is yet to come but it makes me wonder if perhaps Keats found peace as he was writing and decided to just leave it at that. When reading this poem in particular I feel Keats' inspiration ... ...ps something much more solid underneath. After speaking to the old man, Wordsworth confirms this realization as he says "I could have laughed myself to scorn to find / In that decrepit Man so firm a mind"15 and Wordsworth ends the poem with a sense of comfort on "the lonely moor".16 During their times both men found solace in their writing. And while they wrote they drew inspiration, motivation and an understanding of what was in their hearts by observing what was in their surroundings. Nature played an important role not only in their imagery but also by giving them something to relate and compare their thoughts and feelings to. Not only did they reach an understanding of themselves through nature but we were left with an understanding of them through the simple, timelessness of nature. "To her fair works did Nature link / The human soul that through me ran".17

Intimate Partner Violence Essay

Intimate partner violence is sometimes common in relationships, and many partners in the relationship, usually the male, will demonstrate acts of violence against his mate. There are various categories where violence falls, such as stalking, mental abuse, sexual abuse and physical abuse. We can find intimate partner violence in all groups of people which include, economic, social, ethnic, racial and many types of cultural group. Acts of violence can take place between one individual in the relationship or both. Usually there are links between intimate partner violence and different aspects that generally affect the relationship, where economic, psychological and social conditions contribute to the number of incidents reported to authorities. The impact of intimate partner violence varies, usually in the type and severity of abuse. Individuals who are vulnerable due to physical, psychological, economic, or social conditions or who have experienced prior victimization may be even more severely affected than those with financial resources, good health, favorable environments, and no other significant stressors or health problems. However, intimate violence can be traumatic for anyone. In some cases, the effects of prior intimate partner violence can be triggered for the first time or after a long period of remission months or years after the actual occurrence of violence has stopped. Intimate partner violence needs to be further investigated to find solutions. We learn from the Department of Justice Statistics Report, that â€Å"Statistics about intimate partner violence (IPV) vary because of differences in how different data sources define Intimate Partner Violence, (IPV). For example, some definitions include stalking and psychological abuse, and others consider only physical and sexual violence. Data on IPV usually come from police, clinical settings, nongovernmental organizations, and survey research. † There are many definitions of violence, and this is taken into consideration when statistics are completed. We also learn that, â€Å"Most IPV incidents are not reported to the police. About 20% of IPV rapes or sexual assaults, 25% of physical assaults, and 50% of stalkings directed toward women are reported. Even fewer IPV incidents against men are reported (Tjaden and Thoennes 2000a). Thus, it is believed that available data greatly underestimate the true magnitude of the problem. While not an exhaustive list, here are some statistics on the occurrence of IPV. In many cases, the severity of the IPV behaviors is unknown. † We are told by (Heise and Garcia Moreno, 2002) that, â€Å"Traditional gender norms (e. g. , women should stay at home and not enter workforce, should be submissive)† There are many males who often desire for their partners to stay out of the social and workforce realm and often violence is acted out toward spouses when they don’t give up any social attachments. Heise and Moreno tell us that, â€Å"Some factors that are common in intimate relationships that are violent include: 1. Couples with income, educational, or job status disparities 2. Dominance and control of the relationship by the male 3. Some community factors associated with intimate violence are: 4. Poverty and associated factors (e. g. , overcrowding) 5, Low social capital—lack of institutions, relationships, and norms that shape the 6. Quality and quantity of a community’s social interactions 7. Weak community sanctions against IPV (e. g. , police unwilling to intervene)† We learn from The Federal Government Source for Women‘s Health Information (womenshealth. gov. 2006) that, â€Å"One in four women report that they have been physically assaulted or raped by an intimate partner. These crimes occur in both heterosexual and same-sex relationships. Physical and emotional trauma can lead to increased stress, depression, lowered self-esteem and post-traumatic stress disorder (an emotional state of discomfort and stress connected to the memories of a disturbing event). † We also learn that, â€Å"Violence against women by anyone is always wrong, whether the abuser is a current or past spouse, boyfriend, or girlfriend; someone you date; a family member; an acquaintance; or a stranger. You are not at fault. You did not cause the abuse to happen, and you are not responsible for the violent behavior of someone else. † No matter who commits the violence in the relationship, (male or female), or the age of the victim in the intimate partnership, it is wrong. We also learn that, â€Å"Women of all ages are at risk for domestic and intimate partner violence and face similar challenges when trying to leave an abuser, like feelings of shame and money concerns. However, women who are 55 years and older and are abused face unique challenges. These women grew up and married during a time when domestic abuse was often ignored. Now, at an older age, they have endured many years of abuse and may have problems with poor self-image and shame. Older women who have been abused also are less likely to tell anyone about it; have health problems that keep them dependent on their abusive partner; feel committed to caring for their abusive aging partners; and are fearful of being alone. † We also learn from sources with the Department of Health and Human Resources that, â€Å"Many individuals who are abused in the relationship often stay because they feel obliged to stay out of loyalty or because of fear. Violence in the home doesn’t just affect the person being abused; it affects everyone in the home, including children. Children may witness abuse in a number of different ways. 1. They may be in the room and see their mother being abused. 2. They may hear their parents fighting. 3. They may see the aftermath of the abuse when they see their mother’s bruises. Studies have shown that children who grow up in violent homes are more likely to withdraw and have behavioral problems. As they get older, these children often blame themselves for not stopping the abuse. This can lead to further withdrawal, depression, and substance abuse. Children who grow up in abusive homes are more likely to become abusers or be abused themselves. A boy who grows up with a father who beats his mother tends to see women as weak and submissive and repeat the cycle of abuse in his own relationships. A girl who sees the abuse of her mother is likely to think that abuse is part of a normal relationship and become involved with an abuser herself. Intimate Partner Violence needs to be addressed. Too many individuals fall victim to this type of violence in a partnership and studies show that many factors contribute to this abuse. Many individuals who have never been in an abusive relationship wonder, â€Å"Why doesn’t she leave? † There are many reasons why individuals may not leave an abusive relationship. She may possess little or no money and have no way to ultimately support herself and her children or she may reach out for help only to find that all the local domestic violence shelters are full. She may not be able to contact friends and family who could help her. Or she may worry about the safety of herself and her children if she leaves. There must be resources for these individuals to turn to when violence is apparent in the intimate relationship. If you are being abused or have a loved one who is being abused, get help. Don’t ignore it. It won’t go away. Keep in mind, you’re not alone. Many women are victims of domestic abuse. There is help out there for victims of domestic abuse in intimate partner relationships. Contact your local women’s shelters in your area for advice and protection. Without help, abuse will continue and could worsen. Many resources are available to help you understand your options and to support you. No one deserves to be abused Typically each time the abuse occurs, it worsens, and the cycle shortens. Breaking this pattern of violence alone and without help is difficult. It’s always important to recognize that you may not be in a position to resolve the situation on your own. You may need outside help, and that’s OK. Without help, the abuse will likely continue. Leaving the abusive relationship may be the only way to break the cycle. Reference Page Heise, L, Garcia-Moreno. (2002) †Violence Against Intimate Partners†. World Report on Violence and Health. P. 87-121 The Department of Health & Human Services. (2006). â€Å"Violence Against Women†. womens health. gov. Tjaden, Thoennes P. (2000). â€Å"Full Report: Violence Against Women Report†. Department of Justice.

How The Internet has Affected the Music Industry Essay

When Tim-Berners Lee dreamt up the, then, crazy idea, of an inter-global network, I’m sure very few people had the same optimism in believing that it could happen in the future. Over the last ten years, the Internet has evolved from just web pages to e-mail, to online gaming, to viewing sport and film previews, and to buying and downloading music online. The Internet has now become one of the music industry’s greatest markets, estimated to reach over 25% of sales in five years. This may be true, yet the Internet is also one of the music industries greatest enemies. For some years now online shopping has been available to anyone with a credit card and an Internet connection. E-commerce retailers such as Amazon.com sell everything from garden tools, to C.D’s and mini-discs. It is only in the last couple years however, that online shopping has taken off. Before this the public and businesses alike had not been taking full advantage of this phenomenal asset, which has been proven to save companies millions. It was only with the creation of Windows 98 and other Internet programs that people were sure that their credit card numbers and personal details could not be viewed by another person, or ‘hacked’. Once this huge hurdle was overcome, the way we used the Internet and the effect it had on the music industry had changed forever. The close relationship between the Internet and the music industry has led to many dramatic revolutions. First of all it has changed the way in which we purchase music. It has also opened up a new medium for record companies and musicians to promote their music, and now consumers can listen to music via technology such as RealAudio. Also, with peoples Internet connections getting faster all the time, and now with the invention broadband Internet, you can listen to music through Internet Radio Stations whilst still surfing the Internet, a new technique called ‘streaming’. From a consumers point of view this is all excellent news, and I am sure there is yet more to come. But from the music industry’s perspective, not all of this new technology is helping their cause. Many areas of the music  industry have been affected in a bad way, areas such as musicians and record companies worry about copyrights, songwriters and music publishers also worry about copyrights, and distributors and high street retailers worry about sales, and they should be worried as C.D shipments went down by 7% in the first six months of 2002. Copyrights are based on control of the market: how and when a copyright work is used. So the Internet has changed the foundations of the music industry. Because it is so easy and inexpensive to create a website, this makes it easy to put someone’s copyrighted work on to your website and the Internet, therefore making it available for anyone to listen to or copy. As many consumers will still download this copyrighted music for free it is obvious that they do not believe that copyrights stand for much. This is all part of a much larger problem, controlling the distribution of copyrighted music on the Internet, a task that surely is near impossible with so many websites committing copyright fraud. The most famous example of copyright fraud occurred on June 1, 1999. With Microsoft’s supreme dominance over the computing industry and the Internet, not many other companies get a look in. In the end it took a first year university student called Shawn Fanning with the help of funding from his uncle to disrupt the balance of power. It was with the creation of an MP3 website called Napster that the public really took to downloading music from the Internet. Up until the formation of Napster, the technology had been available but had not really made it into the mainstream. You might say that it was Napster that revolutionised the way we obtain music from the Internet, not the new technology. There was however, one fatal flaw with this website. All the music that was being ‘shared’, had copyright to its name, and Napster was using these songs without paying the record companies. So on December 7, 1999, The Recording Industry Association of America sued Napster for copyright infringement. They were asking for damages of $100,000 each time a song was copied. This however did not stop Napster operating as normal, it was only when they were sued by the hugely popular rock band Metallica that Napster was prompted to take action, or at least look like they were taking action. It was on October 31, 2000 that Napster announced a new partnership with  Bertelsmann-RCA in which Bertelsmann put  £26,000,000 into Napster to keep it going. Then on July 26, 2001 a federal judge ordered to shut down Napster, but the music industry’s elation did not last long, just two days later it was up and running again. Now Napster is working together with major record companies EMI, Sony Music Entertainment and Universal to develop a system where consumers using the service will pay per song or a monthly subscription fee. This is a new system, which will attempt to benefit everyone. So despite the early indications that all this technology would go to waste, Microsoft, the record companies and Internet companies seem to have sorted themselves out. The Internet may have once been a huge enemy for the music industry, but it seems like the Internet is now on its way to having an extremely positive affect on the music industry.

Capital Budgeting Worksheet Essay

Read the scenarios below and select one to review and analyze. Determine the proposal’s appropriateness and economic viability. For all scenarios, assume spending occurs on the first day of each year and benefits or savings occurs on the last day. Assume the discount rate or weighted average cost of capital is 10%. Ignore taxes and depreciation. Proposal A: New Factory A company wants to build a new factory for increased capacity. Using the net present value (NPV) method of capital budgeting, determine the proposal’s appropriateness and economic viability with the following information: †¢Building a new factory will increase capacity by 30%. †¢The current capacity is $10 million of sales with a 5% profit margin. †¢The factory costs $10 million to build. †¢The new capacity will meet the company’s needs for 10 years. †¢The factory is worth $14 million over 10 years. Proposal B: New Equipment A company wants to buy a labor-saving piece of equipment. Using the NPV method of capital budgeting, determine the proposal’s appropriateness and economic viability with the following information: †¢Labor content is 12% of sales, which are annually $10 million. †¢The new equipment will save 20% of labor annually. †¢The new equipment will last 5 years. †¢The new equipment will cost $200,000. Proposal C: New Advertising Program A company wants to invest in a new advertising program. Using the NPV method  of capital budgeting, determine the proposal’s appropriateness and economic viability with the following information: †¢The new program will increase current sales, $10 million, by 20%. †¢The new program will have a profit margin is 5% of sales. †¢The new program will have a 3-year effect. †¢The new program will cost the company $200,000 in the first year.

“Spellbound” a Cinematic Representation of Psychoanalysis

The movie â€Å"Spellbound†, directed by Alfred Hitchcock, encompasses several Freudian concepts manifested in the characters; including amnesia, guilt complex, repression, and psychopathology. Psychoanalysis is a major element of the film and is used in the pursuit of â€Å"truth†; the â€Å"truth† being what happened to the real Dr. Edwards. Also, dream work is a major tool used in the film to uncover the â€Å"truth†. Though â€Å"Spellbound† has several characters that embody Freudian concepts, I believe the four main characters are most important. John Ballantyne exemplifies amnesia, guilt complex, and repression; Dr.Constance Peterson represents the process of psychoanalysis; Dr. Burlov is a depiction of Freud; and Dr. Murchison conveys Psychopathology. The film, â€Å"Spellbound†, begins in the setting of green manors, a mental asylum. The head of the facility, Dr. Murchison, is retiring and a famous psychiatrist, Dr. Edwards, is to ta ke his place. Shortly after â€Å"Dr. Edwards† arrives another psychiatrist, Dr. Constance Peterson, discovers that the man claiming to be â€Å"Dr. Edwards† is an imposter. This imposter is suffering from a guilt complex which causes him to be an amnesiac.Thus begins the pursuit of â€Å"truth†, using psychoanalysis, to uncover who the imposter is and what happened to the real Dr. Edwards. We find out that the imposter is John Ballantyne, a patient of Dr. Edwards, and an amnesiac; which is why he believes he is Dr. Edwards in the beginning of the movie. John Ballantyne’s amnesia is related to the guilt complex from which he is suffering. We know that Ballantyne experienced a traumatic event, this triggered repression of memory, bringing conscious truth to the unconscious to protect the mind from the trauma; this caused his amnesia.Dr. Constance Peterson believes that by using psychoanalysis she can tap into Ballantyne’s mnemic trace, or unconsciou s memory, and uncover the Primal scene. The primal scene being the trauma that Ballantyne suffered. Dr. Peterson and Ballantyne embark on a journey, evading the authorities, to answer the question of what happened to the real Dr. Edwards. Dr. Constance Peterson, portraying the process of psychoanalysis, is of course mentored by Dr. Burlov who is a representation of Freud; both aesthetically and conceptually. Dr. Peterson brings Ballantyne to Dr.Burlov to help uncover the aforementioned primal scene. This portion of the film encompasses all aspects of Psychoanalysis. Ballantyne, suffering from amnesia due to his guilt complex and repression, is analyzed by Burlov in a few ways. First Burlov uses transference, saying, â€Å"I’m going to be your father image†, then he uses free association, asking Ballantyne, â€Å"Whatever comes into your head just say what it is†. When Ballantyne has no response Burlov turns to dream work saying, â€Å"maybe you dreamt something ? † This analysis of Ballantyne’s dream, or dream work, is an integral scene of the film.The dream sequence, designed by Salvador Dali, contains several symbols; these symbols allude to the truth which is buried in Ballantyne’s unconscious. Freud believed that dreams were the connection to the unconscious, and tapping into it could relieve someone of their psychological sufferings. The most important symbols are the bearded man, the proprietor, the sloping roof, the wings, and the wheel. The bearded man is Dr. Edwards. The sloping roof symbolizes a mountain. Dr. Peterson and Burlov deduce that the trauma occurred at a ski resort. The symbolism of the wings and sloping roof gives them the name of the resort, Gabriel Valley.Constance, Ballantyne, and Burlov go to Gabriel Valley to trigger memory. Ballantyne suddenly remembers that at the bottom of the hill there is a cliff, over which Dr. Edwards fell. It is also revealed that Ballantyne’s true primal scene is not the trauma of Dr. Edwards’ death. His true primal scene is the recollected memory of sliding down a rail and accidentally killing his brother, this is the initial trauma that causes his guilt complex, which is why he was a patient of Dr. Edwards. When Dr. Edwards’ body is uncovered it is discovered that he did not die from the fall, but from a gunshot. Ballantyne is sentenced and incarcerated.This does not sit well with Constance. She looks over her notes on Ballantyne’s dream and realizes that the proprietor is Dr. Murchison, the chimney he hid behind was a tree, and the wheel is a revolver which he used to kill Dr. Edwards. Dr. Murchison is clearly an example of psychopathology. In conclusion, Hitchcock’s â€Å"Spellbound† is a cinematic representation of many Freudian concepts such as psychoanalysis, dream work, and guilt complex. The characters embody these concepts. The pursuit of â€Å"truth† is a major element of the film; this is also the case in psychoanalysis, which is used to uncover repressed memories; or the â€Å"truth†.

Amadeus Film Citique

The director fashioned an experience for viewers to become familiar with historical aspects of Mozart life and career, but also created imagery that aided in the embellishment of the composers relationships. A variety of these historical events were romanticizes for the sake of entertainment (Robbins). The film begins In the setting of young Mozart prodigy years, depicts his career as a highly acclaimed composer within Europe. The narrator is competing composer, Antonio Saltier.Amadeus plot, essentially, is Galleries solemn account of his constant rivalry, jealousy, and persistence to cause Mozart ultimate demise. The accuracy of two key relationships or events have been widely criticized within the isotonic, musical, and entertainment community. Most obvious is the dynamic of the relationship between Mozart and Saltier. In the film, Mozart is depicted as the bane of Galleries existence. Jealousy, disdain, and an eventual hunger for revenge backfires on the angst ridden musician.Saltier uses his political standing to influence the courts to contract Mozart to be resident musician, essentially working him to death (Amadeus). It Is evidenced, In letters from Mozart memoir that Saltier did lad In getting him this position, but not out of spite or with In bad conscience. There Is also scene in which Saltier uses his position to keep Mozart from receiving the job of being a prestigious music instructor for a European princess, but in reality, Saltier actually filled the position as a result of having more experience than young musician (Bloom, peg 263).Shaffer is said to have capitalized on Alexander Pushpins poetic drama, Motorcars I Slayers, which describes Saltier poisoning Mozart to death (Mormon). Historically, it is recorded that in the last hours of his life, Mozart requested for a choir composed of his dearest friends to privately perform his final piece, Requiem (Exultant). Although he had been commissioned by a private messenger to compose Requiem for a patrons funeral, his own early demise kept It him from completing It.Letters show that Mozart requested former student, Franz Summary, to complete It If he passed (leaflets). Conversely, the film ends In a moment of utter irony. Saltier is seated at Mozart deathbed, taking cues and direction from the ill historically legitimate, the portrayal of Mozart wife, Constance, depicts her in shambles as she continuously monitors Mozart in his ill state (Exultant). Fact and film, like, both show that the composer was overworked, but obsessed with his mission, and struggled to keep up with an ideal standard of living.After the musicians death, Constants still strove to provide the same standard of living for her family, and contact ed Summary to finish the Requiem so she could receive the payment originally promised by the private commissioner (Exultant). Interviews have provided insight as to why Shaffer and Foreman claimed such freedom with creativity concerning the accuracies and untruths concerning the film: From the start we agreed upon one thing: we were not making an objective Life of Knolling Mozart. This cannot be stressed too strongly.Obviously Amadeus on stage Nas never intended to be a documentary biography of the composer, and the film is even less of one. Certainly we have incorporated many real elements, new as well as true But we are also blatantly claiming the grand license of the storyteller to embellish his tale with fictional ornament and, above all, to supply it with a climax Noose sole Justification need be that it enthrall his audience and emblazons his theme. I believe that we have created Just such a climax for the film of Amadeus . Peter Shaffer (Robbins). Culturally, the film has made a noted impact on the modern music scene.Fall Out Boy, a popular rock band in the early sasss, referenced a conversation between the character, Saltier, and God in their song titled, From Now on, Were Enemies. Several other heavy metal bands reference the agony and internal conflict between the jealous musician and God, in their lyrics. More recognizable scenes from Amadeus have been parodied by various sitcoms and cartoons such as Family Guy, The Simpson, 30 Rock, and How I Met Your Mother (Root). In 1985, contributors of the film were awarded with eight different Oscar awards, accompanied by thirteen nominations in total. It was nominated for eight Golden Globe awards and won four. Shaffer and Foremans Amadeus, has maintained a position in the top 250 movies of all time, on Minds website, at 88th place (Midi). Rhea film, rated R, stylistically similar to a dramatic musical, and having historical relevance, appeals to nearly legal through more aged adults who are also educated and have heightened musical inclinations. Although younger adults may perceive the film through slightly different vantage points than older adults, most could equally relate as a result of the subject matter being relatively dated to the even the elder of the viewers.

Environmental Factors Supporting the Business Essay

Environmental Factors Supporting the Business - Essay Example The term strategy refers to the long term or short term business methodology which is adopted by the company for its benefit. The business strategy itself includes hundreds of different elements which can help a company increase its market share while taking customers away from the competition. While looking at South China Electric, it can be seen that their strategy is about to undergo a change since the company has come out of its start-up phase and is ready to compete within the market with other companies namely, Fujian Light & Power and Fuzhou Electric. This also demonstrates a key aspect of strategy since it is one element of the company which often changes with the environment. Â  Culture is a term used to express the way of work at a particular company. This term also ties into the system of management which is used at a particular office or at a particular organization depending on how open or closed the company is to its workers. From the case study, it seems that the culture of the South China Electric will come from the culture of the owner company i.e. Hong Kong Power since the parent company has sent a management team to work at SCE. The culture of the company is often defined, designed and setup but the people at the top therefore whatever shape or form they give to the company will be the culture likely to come up in the company. Â  A business is an enterprise that brings people together for a common purpose which is usually to generate revenue. To bring people together and to see how revenue is being generated as well to expedite the opportunities by which revenue can be created for the company, a business can invest in and used use technology to its advantage. Business technology can be anything from a mechanical pencil used to take notes in a meeting to something as complex as an electron microscope used for commercial medical research.